NO FORM is an intense work of art, a dreamlike sequence on a busy street coupled with a symphony in red and white, a short film by Malaysian filmmaker Tsai Ming-Liang, whose life and childhood memories – essentially what formed him and his work – were presented in a soulful portrait named ZUO TIAN (PAST PRESENT) by Malaysian lawyer, author and director Saw Tiong Guan. I asked Saw Tiong Guan today at Vienna International Film Festival, what made him go to such lengths for another filmmaker. “Love” was the simple answer. Tsai Ming-Liang is known to be shy, and to portrait him like this was a three year effort for the young director. Actually ZUO TIAN to me is a film about films, and not so much about filmmakers, although many of them, amongst them Ang Lee, star in it to praise Tsai Ming-Liang and his “courage to do what he wants to do”, as Ang Lee put it. Saw Tiong Guan explains ZUO TIAN as exactly what it means (its English translation being PAST PRESENT). He wanted to show, “how somebody’s past could influence the present”. Considering that Tsai Ming-Liang grew up with films and in cinemas it’s no wonder, that films became a part of his DNA. He dreams about old cinemas, he says, and then he has to portrait them, before they are forever lost. With young talent such as Saw Tiong Guan around I don’t see much danger of cinema dying very soon – as Saw put it: “Cinema is a mirror. It reflects the person who makes the film and it reflects the society.” I’d love to see more mirrors put before me by this artist.
German documentary BLICKWECHSEL (in English: CHANGE OF PERSPECTIVE) takes an interesting new look at volunteering in Africa: Instead of those of the volunteers we get to hear the voices of the people who work with them […]
LA CÈRÈMONIE is a superb work of art depicting sadomasochism as an “infant God’s sacred play” of submission and dominance between consenting, elegant and well-read adults. Those people do have their own definitions of love and sin, […]