Sometimes a film haunts you – in a good way, even though it has its flaws. THE FOUNTAIN is one such, but you’ll need some patience to sit through your confusion as to which story writer/director Darren Aronofsky actually wants to tell. Powerful waves of imagery crash against you, eerie and beautiful, yet not fully explicable at first sight. Bear with the film, it’s worth every minute, and be it just because of the sheer beauty of it. [aartikel]B0049EXUFA:left[/aartikel]
Die wirklich köstliche Deutsch-Chinesische Co-Produktion I PHONE YOU (2011, Regisseurin: Dan Tang, Drehbuch: Wolfgang Kohlhaase) lief gestern abend auf einsFestival. Hauptdarstellerin Jiang Yiyan trägt den Film von der ersten Szene an auf ihren schmalen Schultern […]
MEN IN BLACK, aber diesmal tiefschwarz: R.I.P.D. – das “Rest In Peace Department” – schickt böse Geister zur Hölle. Die Cops im R.I.P.D. sind selber schon tot, was das Erkennen der Geisterwelt unheimlich (pun intended […]
Swedish director Ruben Östlund‘s film TURIST (FORCE MAJEURE) has won the Jury’s price in the class of “Un Certain Regard” (A Special View) at the Cannes Filmfestival. “First time a Swedish film wins this”, writes […]
(c) Elisabeth Schabus
Be the first to comment